Yesterday night i was coming back home from a very special day, after a very special week.
On Monday i practiced Reiki on someone else for the first time, and yesterday i gave my first actual Drawing Workshop, which will continue on next Sunday, ending into a little exhibition of the works done with the participants, and my little goodbye to Budapest, after more than one year here.
Lots of things happen and change, and i feel marvelously tranquil and at ease. I'm being surrounded by many amazing and lovely people, and i feel incredibly lucky. At the same time, i do know clearly that for me it's totally time to move, once again, for my new chapters.
The workshop gave me a wonderful time and at the end of the day i was extremely tired, in the best way, like after a very good and rewarding physical activity. So, when i finally got in the tram after some glasses of wine and it was already after midnight, i didn't despise the seat, and i let my back rest against the backpack. I moved slowly, carefully, as it was still all full of the painting equipment which gave so much fun to the participants of the workshop. But, well, after all the inks in the glass were in the bag i was holding in my arms, so i knew it wouldn't have been a big dangerous. Right? BOOM. No, silent boom. None could hear that around me (or maybe some spiders, they can everything), but i did feel massively a little explosion from my backpack. I had this minuscule jump on the seat, and i felt like a giant who's holding a mini planet where a war is going on. Or like something exploded in another dimension just next to me. I knew exactly what it was, what it broke.
Like, time running out? |
I bought these two sand timers in February, launching #VideoCallSketching, a series of portraits i make via webcam in 15 minutes. I always felt like this project can potentially keep staying on going for ever, and i still imagine that i'll be doing this also elsewhere, but the way i lived it so far is certainly intertwined with my Hungarian life, with the apartment where i've been living and the big desk where i could set such an always-ready working desk. My dear friends photographer Caterana Tonnē Fleur and Isabel Val Sanchez took some photographs of this world, through these months.
Portraying my father, March 2016 – Photo by Caterana Tonnē Fleur |
Portraying my father, March 2016 – Photo by Caterana Tonnē Fleur |
ortraying Isabel Val Sanchez while she portrays me via webcam, March 2016 |
Photo by Isabel Val Sanchez for her new portraits series, while i portray her, November 2016 |
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Before to leave: i will read Felice in English, at open air and then at Café Zsivágó, on Tuesday night, (loving that the name of this lovely café is also the name my grandma's horse had), i will give the second half of the workshop, and, if hopefully, i'll make it to pack properly.
Anyway, no fears about how to continue my portraits via webcam with one sand timer only (or none); tonight i already had the pleasure of trying, and sharing all this story with Livia, the beautiful soul who knocked at my Skype a few hours ago, from Panama.
#VideoCallSketching 094 - Livia Valera |
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