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Wednesday, 11 March 2015


These photographs were waiting in my hard disc. They are some experiments I had made out of a little session done for another purpose. They are extra-gifts of an afternoon.

I've just seen that the new single from Tame Impala came out––oh yeah, I'm a fan of them, I couldn't wait a single second to play it!
As I started to listen to it, closing my eyes, I've seen this my friend dancing, the unique, spontaneous, FREE, joyful, soft, a bit childish, so deep being so light, sweet, pure, original, playful, AUTHENTIC way she dances. So, it's much different from the moods you see here above, actually, but these photographs came in mind 'cause there is just her. Just her.
And as I had those visions, I felt like I HAD to make a video for this song, only with her dancing. Stop. I need to.
Now I'm begging her to do it. She's surely now sleeping and I'm looking for hearing her answer. It will be hard, I know, 'cause we manage to be too busy, already, fuck, all the time. But I hope we make it.
I'd need only one day.

Please, Masha!


Tuesday, 3 March 2015

"Go to Stay" - Heidi and the 9 Feathers

So, how does sound to you
"alternative / experimental / freak / folk / new weird america / folk pop / psych folk"?
That's the tags jam for Go to Stay, now in streaming and download on bandcamp; it's the first album from Heidi and the 9 Feathers (fb, soundcloud), a project in which I had the pleasure to be involved by Heidi Harris, with whom I had already done several different and lovely collaborations in these last years, growing a sweet and sweeter understanding.
Here's my front cover for them!

In these months, sometimes on the top right of my monitor I was visualizing some messages from my Dropbox and then I knew that almost always that was some magic from my dear Feathers, sharing their work in progress in those folders where I also could have the joy to spy how their music was growing. They were rehearsing in New York and then putting there a lot. I love how I could somehow join their process from Europe. Often I was receiving whole traces full of their dialogues, random, technical, sometimes it was really fun! It was really a bit like being in their room. At a certain point I told Heidi how much I was liking that and, oh well, that was brilliant, haha, 'cause actually she had forgot that I was in the Dropbox too! Honestly, it made it even funnier and more special!

For the back cover we used an amazing portrait of Heidi made by the photographer Micheal Cooper.

The more the time passes by, the more I love collaborating with Heidi, appreciating her kindness and discovering how, probably, our artistic processes are very similar, in pace and needs.

I fantasize more than a bit about what more we may do together and I'd love very much to meet in person all the Feathers. And, well, ideas are always too many, here around, but perhaps this year will bring some little news… Anyway… Shhhh now! Listen to this little treasure!

PS. Don’t touch the Teddy Ruxpin!!!
…That title is something, ah!!!

Friday, 27 February 2015

I want Sydrojé back. (But meanwhile we got 'em on streaming!)

That's back in 2009. This album, Duende. The music you can play here below in this post. Their birth is some year before, 2005. It's since then that I bring around on my servers their files, since I've been so lucky to even witness the origin of many of their songs, but it was a long time I was waiting for this day: their production online, better, on streaming, easier to catch for me and much, much easier to share. Now everyone can listen to them:

(And already they were on facebook.)

That's how I started to make stuff to please the eyes while others were pleasing the ears, by the way; they are my longer collaboration and, technically, it never stopped. Lately they are not doing much as band, but they never closed the project. And, actually, as historical fan as well, I fuckin' wish they'll do something again.

However, there are other interesting reasons behind all this. After the high school, their front-man, Stefano Scrima, started to study and to live in other places and especially when he left for Spain he couldn't anymore work much inside a band. So he started his way as singer writer. That's a name you may remember also from some more recent post: he's LinFante (here on fb), who's now more active then ever and with whom I enjoy collaborating as well.

Ok, enough of this recap. I hope you can enjoy the music, you'll find more on their links. That's only one album. If I had a little more energies I was bothering you also talking about the title, but my eyelids beg some sweet darkness. So consider asking your browser, about that.

Enjoy Duende, this old good work coming back to rock your blood.
And see you soon with much fresher babies.

Tuesday, 17 February 2015

The Grand Tour by Victor Lorandi

Ladies and Gentlemen, it's my great pleasure to bring to you The Grand Tour, the first publishing from The Red Universe, by Victor Lorandi! Here's the ebook on Smashwords.

There's some actual risk of coming to you with physical copies, so, folks, keep a sharp eye on it, if you're appealed!
And, if you like it, pass this on!

Working at its cover has been a serious challenge and, I must admit, I'm very happy with this result.

This fall, back in Utrecht after a summer spent busking and backpacking in Italy for my project Felice, my colours and my lines went through an overwhelming revolution. I've been shocked by the physically largely different "phenomenons" happening around my hands. I had to follow them first and see what was happening. Only lately I'm learning how to balance the novelty with my previous style: when to use what, in terms of tools, styles, and method.
I consider this illustration an interesting finish line of this process.
Furthermore, it made me relate to the vast and historical sci-fi graphic tradition, which is quite far from my ways, either in subjects and styles. I'm looking forward to challenge my sign even more, really "drawing anything" but keeping my touch.

Victor has been über cool during all this process, as I could expect from our first very passionate conversation drinking some pubs and talking for hours about the creative process. He uses a (key) word that effectively helped me a lot in this so fascinating and so complicated understanding of our dynamics.
But I'm not telling this word.
I wish you'll check out by yourselves how he knows how to use words, indeed. 
(Words, and much more. I'd love to tell what I felt reading The Grand Tour, but, well, at least I put my best in telling it visually.)

Enjoy your ride into the Red.